Self-Service Cumbia.
Playing and connecting with a place through listening


Made in collaboration with MAAJAAM: Farm for Art & Tech

Interactive sound installation:
A farm-side self-checkout stand transformed into a musical instrument, where scanning vegetables and found objects gradually composes a cumbia from the sounds of the MAAJAAM farm in rural Estonia.



Self-Service Cumbia emerged during a short residency at MAAJAAM through an open-ended exploration of sound, improvisation, and the materials already present on site. While intuitively experimenting with electronic instruments and synthesizers one night, a cumbia beat rhythm became a familiar connection to home. At the same time, encounters with Estonia’s countryside self-service food stands, built around local produce and trust, suggested an unexpected format for bringing these two contexts together.

Vegetables, discarded utilities, and arbitrary objects found around MAAJAAM were selected for their sonic potential and recorded using a handheld ZOOM H1n recorder and Piezo (contact) microphones. Their sounds were cropped, edited through Ableton Live and assigned different roles within a cumbia rhythm: a potato became a kick, a pumpkin a snare, a tomato a cymbal, while an old calculator, telephone, milk can, bowl and peas contributed different percussive textures.  

The objects were then given individual barcodes and presented as products in a small self-service stand. Scanning an item sends its barcode through Python to a Pure Data patch, activating its corresponding loop; scanning it again switches it off. As visitors continue “shopping,” sounds accumulate and synchronize until a cumbia is collectively assembled.

This short exercise explores how listening differently can shift our perception of ordinary objects and places. Sounds from an Estonian farm are reorganized through a Latin American musical structure, creating a small cultural bridge between the context being encountered and a familiar rhythm from home. The resulting installation uses sound, participation, and play as ways of reconnecting with local surroundings and discovering unexpected possibilities within the everyday soundscapes.




Type: Interactive sound installation / participatory sound art
Concept: Marcelo Guajardo Dávila with guidance from Timo Toots and Mari Liis Rebane
Status: Produced and dismanteled



Publications/Press:
  • MAAJAAM



Interaction: Barcode-triggered, layered sound composition
Sound sources: Vegetables, found objects & discarded utilities collected on site
Recording: Zoom H1n, 3× piezo contact microphones
Audio: Ableton Live 12, edited and looped .wav samples
Programming: Python, Pure Data
Hardware: USB barcode scanner, computer
Musical structure: Cumbia / synchronized percussive loops
Techniques: Field recording, contact recording, sampling, sound editing, looping, interactive programming, participatory performance
Produced in: MAAJAAM, Neeruti, Estonia
Year: 2026
Photography: Marcelo Guajardo









Everything is an instrument if you listen to it.




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Contact  |  2026 © Marcelo Guajardo. all rights reserved     |    marcelo.guajardo.davila@gmail.com   |   @marcelo_guajardod